Summary

While a sight of sluggish - burnhorrormovies receive rave limited review , only the sub - genre ’s strongest efforts work up up to a revelation that is worth the wait . Slow - burn horror is a tricky genre to draw off . If a horror moving-picture show foregrounds its supernatural elements too early , it will fall back any equivocalness and no longer feel like a subtle floor . Conversely , if a slow - burn horror picture show keep putting off its bad reveal for too long , viewers will of necessity get their hopes too mellow , and the eventual revelation wo n’t be deserving the wait . This means a delicate counterbalance must be struck .

10The Witch

This glacially paced period horror gradually ramps up tension

Cast

2016’sThe Witchintroduced viewers to Anya Taylor - Joy , who starred as its immature puritan heroine , Thomasin . For most of the movie ’s runtime , Thomasin seemed to be a victim of her father ’s religious fanatism more than any supernatural threat , with her family ’s sparse , miserable existence driving them to rabidness and malady . However , The Witch ’s ending unwrap Black Philipis the devil , the imply supernatural events have been veridical , and Thomasin is secretly in league with evil . This may simply be a delusion as Thomasin succumbs to psychosis , but it is still a haunting , unforgettable finish .

9We Are Still Here

The seance horror’s big finale proves spectacularly gruesome

2015’sWe Are Still Heresees a grieving couple slowly understand that their fresh nursing home is n’t as ordinary as it seems . When a drawstring of foreign incidents leave alone them unsettled , they call their spiritualist friends to hold a seance to clean the cursed blank space . These comparatively unremarkable events make up the first two - thirds of the movie , so it is a filthy , bestial electric shock when the house finally reveals its reliable nature and slaughters scores of local town in the wild finale . Gruesome and utterly unexpected , We Are Still Here ’s ending elevates the previously monotonous story .

8The Invitation

This psychological horror uses ambiguity to unsettle

The Invitationsees a charismatic but riotous antihero advert a weird dinner party party hosted by his ex - wife and her new beau . Throughout the evening , the friend pick up on mickle of flushed masthead , but it is insufferable to evidence how much his judgement is clouded by bitterness and insecurity . That is untilThe Invitation ’s terminate revealsthe total dinner party was a front for a death rage who design to down everyonewith a poisoned toast after dessert . With this twist , legal proceeding suddenly plow unexpectedly gory and natural action - packed in the closing minutes .

7Ravenous

A classic black horror comedy that relies on viewers getting complacent

Director Antonia Bird ’s criminally underratedRavenoussees Guy Pearce ’s deserter send to a remote outpost . While there , he helps his mismatched band of fellow soldiers rescue Robert Carlyle ’s strange Colqhoun . Colqhoun claims his party was killed by snow , famishment , and a duplicitous fellow traveler named Ives , but something about his tale does n’t impart up . It is a minor shock when Colqhoun turns out to be Ives , but it is a bigger , nastier , and more blackly comedic twist whenIves reveal cannibalism has given him superhuman strength , and he intend to convert the camp to his particular tasting .

6The Orphanage

This tragic horror movie’s ending is a powerful gut punch

2007’sThe Orphanagemostly focuses on a dire mother searching for her lose son in the nominal abandoned location . However , what start as a tense story of a missing small fry eventually becomes one of thebest repulsion movies about griefever made when she learns the dreadful truth . While incredibly bleak , this moving Gothic mystery is also touching , tragical , and a great bit of slow - burn horror storytelling .

5Possum

The terrifying British indie horror’s reveal is tough to top

2018 ’s indie horrorPossumfollows a shame children ’s entertainer ’s attempts to underprice his old tool when he give to his bare hometown . The entire movie simply sees him repeatedly bemuse away this puppet and debate with his fantastical uncle , only for the creature to necessarily re-emerge . Somehow , the marionette ’s disquiet purpose and two brilliant central functioning make this wide-eyed self-love one of the most uniquely disconcerting revulsion movies in late memory , and that is beforePossum ’s end finally reveals the marionette ’s horrifying metaphoric significance .

4Don’t Look Now

This iconic adaptation pays off its plot with a brutal punchline

By now , Don’t Look Now ’s endingis almost more famed than the relief of the picture show . However , even for viewers who see the tress descend , this moving speculation on grief is well worth a watch . Donald Sutherland and Julie Christie ’s devastating performance as a mates tear asunder by grief are career - in effect turns , and theatre director Nicholas Roeg ’s skillful filmmaking is so hypnotic that viewers could be forgiven for forgetting to anticipate the hilariously twisted determination .

3The House Of The Devil

Ti West’s debut suddenly kicks into gear near the end

2009’sThe House of the Devilwas an impressive debut for repugnance legend Ti West , who went on to make 2022 ’s slasher homageX. This slower , subtler cause find out a sitter faze by foreign events as she look after a child for a mysterious duad . The eventual disclosure is easy to predict , but West manages to make the slow journey to an inevitable end incredibly scary . To make matters worse , the disconnected activity - toward tone of the finale leaves viewer convince that the heroine might just make it out alive , only for these Bob Hope to be dashed .

2The Haunting (1963)

This Shirley Jackson adaptation ratchets up the unease slowly but surely

BeforeMike Flanagan’sThe Haunting of Hill Houseand the laughably bad big - budget ‘ 90s adaptation of the same novel , Shirley Jackson ’s chef-d’oeuvre was bring to life onscreen as a wearisome - burn , subtle , and incredibly faithful 1963 horror movie . For most of its runtime , it is n’t clear whetherThe Haunting ’s house is really haunted or if the heroine is just gravely troubled . By the time the lurid turn conclusion come about , it becomes clear that the answer never really mattered .

1Hereditary

Ari Aster’s masterful horror lulls viewers into a false sense of security

2018’sHereditarymarked the feature film introduction of Ari Aster , and the revulsion picture show was a vast smash upon button . The tale of a folk shoot aside by the pain of mislay a child , Hereditaryfollows both the teenaged shirker Peter and his increasingly unhinged mother , Annie , as they unravel in the week follow the decease of Charlie , Peter ’s younger sister . Until its terminal act , looker could be forgiven for wondering whether Aster ’s movie was more of a drab drama than a horror motion picture , butHereditary ’s dead terrific endingcleared any confusion powerful up .

A collage image of Luke Skywalker in A New Hope

Sidious, Tyranus, Maul, and Vader.

Josh Hartnett looking shocked in Fight or Flight

Toni Collette screaming in Hereditary

Headshot Of Kate Dickie In The UK film premiere of ‘Mrs. Lowry & Son’

Cast Placeholder Image

headshot Of Ralph Ineson

Two badly burned ghosts stare at the camera angrily in We Are Still Here

Headshot O FLogan Marshall-Green

Headshot Of Emayatzy Corinealdi

Headshot Of Michael Huisman

Private Reich standing waist-deep in a river screaming and surrounded by snow in Ravenous.

A boy with a bag on his head in The Orphanage

Spider-legs coming out of a bag in Possum

Headshot Of Julie Christie In The 2008 Oscar Nominees Honored at the Academy

Headshot Of Donald Sutherland

Samantha holding a knife in House of the Devil

Headshot Of Ti West

Eleanor and Theo lie in bed together terrified in The Haunting

Headshot Of Toni Collette

Headshot Of Gabriel Byrne