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Summary
Legendary cinema directorAlfred Hitchcockand iconic actor Cary Granthad a long - running collaboration and made four picture together between 1941 and 1955 . A match made in heaven , Grant pushed himself to the limit in Hitchcock ’s flick and played characters that were much more layered and nuanced than many of the charming lead man part he had become known for in Hollywood . At the same time , Hitchcock was provided with an expert performer who helped elevate his suspenseful thriller with a high level of star power that ensured audience would watch him as he explored increasingly complex themes .
Hitchcock and Grant first came together for the 1941 thrillerSuspicion , which laid the groundwork for all the interesting concepts they would later go after . Their partnership ended withTo Catch a Thiefin 1955 , which was a fond farewell to almost 15 years of moviemaking and a duette that aid make each other’salready impressive body of workeven better . Thefilms of Hitchcock and Grant are truly classic of cinema , and while some are somewhat beneficial than others , they all suffer as immensely watchable , enjoyable experiences .
4Suspicion (1941)
Cary Grant played Johnnie Aysgarth in Suspicion
As Alfred Hitchcock and Cary Grant ’s first collaboration together , the pair ’s dynamic was still find its feet in the romantic psychological thrillerSuspicion . Up until this point in his vocation , Grant was sleep with as a charismatic leading man , but inSuspicionhe took on the darker , more morally ambiguous grapheme of Johnnie Aysgarth , a witching playboy whose love sake only identify his gambling , dishonest nature after they got married . Grant expertly captured the exploitative nature of Johnnieas his bunco serviceman tricks , defalcate nature , and general money troubles were discover to his new married wife Linda , play by Joan Fontaine .
Suspicionhad all the trademarks of a authoritative Alfred Hitchcock suspense story , includingHitchcock ’s signature cameo . Linda start to reverence her hubby mean to murder her and live on off her home ’s riches . However , it never progress to the height of Hitchcock and Grant ’s later work . Suspicionfaltered primarily due to his ending , which deviate from the sinister nature of the novel and contribute the match what felt like an unearned happy close . Hitchcock originally planned for Johnnie to slay his wife ( viaSlash Film ) ; however , the studio intervene and made him commute it much to the determinant ofSuspicion .
In aninterview with Gallic director François Truffaut , Alfred Hitchcock outlined his original program for the ending ofSuspicionby stating : “ The fit I wanted , but it was never shoot , was for Cary Grant to bring her a glass of Milk River that ’s been envenom , and Joan Fontaine has just finished a letter to her mother . " He posit that Linda then drank the milk and died but the letter would have revealed all of Johnnie ’s homicidal offence . “ evanesce out and fade in on one stroke , " Hitchcock say . " Cary Grant , whistling cheerfully , walk over to the postbox and bolt down the letter in . "
3To Catch A Thief (1955)
Cary Grant played John Robie in To Catch a Thief
The last coaction between Alfred Hitchcock and Cary Grant also have one of the most iconic actresses of all fourth dimension , Grace Kelly , and was an exciting romanticist thriller about crime and mistrust . InTo view a stealer , Grant played John Robie , also known as The Cat , a former diamond thief suspect of stealing from wealthy tourists along the French Riviera . To make his name , John tried to capture the real thief all while fall in love with Kelly ’s case , Frances Stevens . To enamor a Thieffeatured many twists and turnsand was a word of farewell to Grant and Hitchcock ’s long - running partnership .
However , whileTo take in a Thiefwas an exciting mystery story , it lacked the intense suspense of Hitchcock ’s best work and came across as much slower than his last motion-picture show , Rear Window , released the previous year . By the time , To get a Thiefreached its Ulysses Simpson Grant decision and a rooftop face - off against the actual burglar , the film had audience on the border of their seats , but the story take its time fetch there and alas stall in the first one-half . While To Catch a Thiefwas a classic Grant and Hitchcock motion picture , they had previously make more thrilling study .
2North by Northwest (1959)
Cary Grant played Roger Thornhill in North by Northwest
Cast
As a story of mistaken personal identity , it did not get any full thanNorth by Northwest , which was the most iconic of all Grant and Hitchcock ’s work together . Grant played Roger Thornhill , opposite Eva Marie Saint as Eve Kendall , aNew York advertising executive director who was mistaken by a group of foreign spiesfor a government agent . This dangerous misapprehension lead to Grant being go after across the country , bunk glow vehicle , and splendidly evading a airplane that was chasing him inHitchcock ’s most idiotic conniption .
The over - the - top nature ofNorth by Northwestmade for thrilling viewing and Cary really cave in it all to his role as the unfortunate Thornhill . North by Northwestwas visually iconic , has gone on to be consider one of the best films Hitchcock ever made , and was the double-dyed showcase of how well he and Grant worked together . Much sluttish than the brooding dark psychology of Hitchcock ’s previous filmVertigo , North by Northwestwas an influential movie that leave its mark on subsequent spy - ground natural process films such as in theJames Bondseries .
1Notorious (1946)
Cary Grant played T. R. Devlin in Notorious
Out of all the incredible films Alfred Hitchcock and Cary Grant made together , the very upright has to beNotorious , which co - starred Ingrid Bergman and Claude Rains in one of the greatest passion Triangle ever committed to the adult screen . A watershed instant for Hitchcock , Notoriousrepresented the point where he proceed from a very good director into a truly great oneand sport character depth , emotional resonance , and catgut - wrenching manhood not antecedently catch in his consistence of piece of work . The emotional intensity of Grant ’s eccentric , T. R. Devlin , also showcased act power antecedently unseen in his Hollywood life history .
Notorioustold the story of Grant ’s government agent engage the help of Bergman , a war criminal ’s girl , to pass through Rains , the Nazi associate concealing in Rio de Janeiro after World War II . A serious dearest story , Notoriouswas categorized by themes of bitter , distrustfulness , and jealousy , and all three leads bring existent humanity to their purpose . A classical difference of duty and love , Notoriouswas one of Hitchcock ’s great aesthetic statementsand remainedHitchcock and Grant’smost personal , superimposed , and deeply sentimental movie .
Sources : Slash Film , François Truffaut Interview
