The Game

Summary

virtually 30 years after the original movie come to theaters , David Fincher’sThe Gameis getting a TV remaking . The 1997 thriller revolve aroundMichael Douglas ' Nicholas Van Orton , a wealthy investment banker who is pay for by his estranged comrade to take part in a cryptical secret plan , resulting in a deathly web of paranoia and dark secrets being unearth . Also starring Sean Penn and Deborah Kara Unger , the movie was considered a loge authority letdown in equivalence to Fincher ’s immediate predecessorSe7en , but scored strong reassessment and has garner a cult observe since .

Deadlinehas bring Christian Bible thatScreamcreator Kevin Williamson has inked a major new deal with Universal Television to develop a number of projects for the studio . One such project revealed to be in the works is a television set remaking ofThe Game , which he is said to be developing alongside the original movie ’s writers John Brancato and Michael Ferris . Unlike his other projection , it ’s only say thatThe Gameis in " internal development " , not currently having a correct political program or committal to writing squad .

Why A Modern Take On The Game Can Be More Terrifying

Despite holding a cult follow 27 years afterwards , Fincher has , interestingly , been largely decisive of his work onThe Game , even going so far as to gibe with his wife / producer Ceán Chaffin that he should n’t have made the movie at all . The three - time Oscar campaigner mostly pointed towards the motion-picture show ’s third number as being his biggest issuing with it , feeling it was better to keep the vivid pacing going . While fans of the movie may find differently about Fincher ’s retrospective thoughts , howThe Game ’s terminate fitsinto the movie ’s ultimate musical theme is why it ’s perfect for a modernistic retelling .

Much like Charles Dickens ' iconicA Christmas Carol , the movie put audience with a lineament who , despite his vain personality , was compelling to watch out thanks to his sense of closing off . As technology has become more prominent in the years since Fincher ’s movie came out , this feeling has only grown in watcher as the cosmos has simultaneously exposit and cringe with societal mass medium and the internet . As such , modern society would be rife with a timely geographic expedition of the musical theme from the original , something even seen in Fincher ’s most recent effort , The Killer .

David Fincher ’s Netflix moving picture The Killer is a deep honkytonk into the head of an expert assassin , and there are a few movies with similar paper .

The Game 1997 Movie Poster

Moreover , say innovations in technology would make an updated version ofThe Gameall the more terrifying with how it can be used against the primal persona as the event unfold . Between the power to all falsify someone ’s life to arouse their paranoia as to being watched by everything from security measure cameras to anyone ’s smartphone , the stakes could easy be raise for the TV show to capitalise on the suspenseful potency of its source fabric . With Williamson himself having success in these themes with theScreamfranchise , his adhesion to theGameremake proves a bright augury .

The Gameis uncommitted to stream on Starz .

Source : Deadline

Michael Douglas as Nicholas pointing a gun in The Game

Custom Image by Grant Hermanns

A custom image of Leon: The Professional, Michael Fassbender in The Killer, and Rear Window

The Game