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Summary
Disneyhas been to a great extent criticized for its recent dependence on remakes and continuation of its elder report , but for good or unsound , these will be fundamental to the company ’s legacy . The House of Mouse has announced another batch of moving-picture show for the number year , most of which are sequels that will continue the stories of existing persona . This has been an ongoing drift for the retiring decade or so , with more remaking or add - ons to exist IP than brand - raw story and smart ideas . However , considering Disney ’s existing business mannequin , this should come as no surprise .
2024 is another big year for Disneysequels , withInside Out 2releasing in the summer and nowMoana 2expected for the descent . There will be even more to hail in 2026 , with the release ofToy Story 5andFrozen 3 . In the world of alive - action remake , theSnow WhiteandMoanaremakes are expected for 2025 , with several others , likeLilo & Stitch , The Hunchback of Notre Dame , Hercules , aTinker Belladaptation , and more , said to be in the early leg of development . This has led to significant critique for Disney , which may not be entirely bonny .
Disney late declare big plans for 2024 , including new additions to Disney+ , new video games projects , and of row , new moving-picture show on the way .
Disney’s Existing Characters Are Its Most Important Asset
Disney’s legacy is the fictional world of existing characters that must be continued.
As of 2023 , Disney has been making movies for 100 eld , which stand for dozens of iconic characters that are fuck by millions . Some , like Mickey Mouse , have been around since the very beginning , while others , likeFrozen ’s Anna and Elsa , are still relatively new . Regardless , every year , children of all eld flock to the Disney amusement park specifically to meet these character . As unexampled moving picture are release , raw character join this magical macrocosm populate by Disney ’s fictitious instauration , but these park are profitable because ofallthe characters , not just the new one .
The compounding of verbatim - to - consumer sale , box seat office cut-rate sale , and cyclosis lucre makes up about 20 percentage of Disney ’s total revenue ( viaStatista ) . The global entertainment park net , on the other hand , get along in only slenderly modest at about 16 percent . Both are pivotal in the company ’s winner , and the common denominator between both revenue streams is the quality . Mickey and co. , Moana , Ariel , Aladdin , Winnie - the - Pooh , etc . , are the House of Mouse ’s true bequest , and the company ’s continued success count on its power to keep them relevant .
Disney’s Best Characters Would Fall Into Obscurity If It Weren’t For Remakes & Sequels
When retain in mind that Disney ’s existing characters are its most of import asset , it make sentience that remakes and sequels would be so prevalent 100 year into moving-picture show making . No one blinks an optic when a new Mickey Mouse series or motion-picture show is released since this is Disney ’s mascot character . Allowing him and his chum to become outdated and irrelevant would significantly impact how Mickey ’s role would be received at Disney World and Disney Land . at long last , the same is true for Disney ’s other reference and properties .
Other Disney properties , like the MCU and Star Wars , are expect to receive sequels , but despite the like demand to remain relevant , the same is n’t true for animated projects .
The House of Mouse is far bigger than just individual films . Having dwell and external respiration franchise means that the character and world can develop and change along with the audience . If it were n’t for springy - activity remakes of older Disney movies , today ’s young small fry might not recognise or care about these characters . A child descend in making love withthe live - actionThe Little Mermaidmoviemight prompt them to watch the original 1989 alive translation . Without this , Ariel might have fall into obscurity after another match of decades .
New Ideas Haven’t Been As Successful As Disney’s Remakes & Sequels
In accession to keeping Disney ’s live characters relevant , the House of Mouse continues to make remake and sequels because they do work . 2023 was an specially rough year for the company ’s new story . Wishonly managed $ 63 million at the domesticated boxwood office(viaBox Office Mojo ) and was considered a critical bomb with a 48 percent critic score onRotten Tomatoes . Even Pixar failed to make a scratch in theaters , bringing in $ 154 million domestically withElemental . By comparison , theThe Little Mermaidremake did importantly best , making $ 289 million domestically .
There ’s a clear benefit to audiences already being familiar with a Earth and persona when head to theaters in a post - pandemic world . This is evident in the two top box office successes of 2023 — BarbieandThe Super Mario Bros Movie ….
It ’s been long time since a newDisney moving picture made over $ 1 billionat the global box office , while sequels likeThe Incredibles 2andFrozen 2and remakes likeThe Lion Kinghave had a much easier time of it . There ’s a cleared benefit to audiences already being intimate with a worldly concern and characters when heading to theaters in a post - pandemic world . This is evident in the two top box office successes of 2023 — BarbieandThe Super Mario Bros Movie — which were free-base on IP the great unwashed already have it away and make out . In all , the trend make it decipherable that this is where the money is .
Disney Must Find A Balance Between Its Remakes, Sequels, and New Ideas
Of of course , this is n’t to say that Disney should depend only on its existing grapheme and tarradiddle and forget about coming up with unexampled estimate . Though it ’s with child to see today ’s nipper fall in erotic love with the characters their parent ( or even their grandparent ) savor as children , they take theirowngeneration of Disney characters to relate to . This means that the House of Mouse needs to line up Libra the Balance — remake or make sequel for the existing character at Disney World , but add a new one every year or so as well .
In cosmopolitan , though Disney has shin to make the same kind of impact with film likeWishandElementalas , say , FrozenandZootopia , the studio has been successful in maintaining this balance . finally , a fresh idea will hit gold , and the House of Mouse will have a young graphic symbol at its amusement parksthat children are just as excited to see as Anna and Elsa . However , for that to happen , Disneyhas to think that its true bequest is the characters that have been systematically add to the roster for a C and the remaking and continuation that keep them within children ’s reach .
