In a Violent Nature
Summary
The slasher formula is a try out - and - dead on target horror blueprint and , try as one might , it ’s difficult to shake that up decades after the literary genre was first vulgarise . author and director Chris Nash’sIn A Violent Naturemay be the first slasher in a long prison term to really deconstruct the music genre in a way that experience surprising , even if the results of its experimentation are mixed .
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In a Violent Nature is a 2024 revulsion - slasher film written and directed by Chris Nash that premier at the Sundance Film Festival in 2024 . A radical of camper in the middle of the wild stumble across a fire watchtower and discover a locket lay to rest beneath its charred ruin . However , by unearthing the locket , they ’ve invited the anger of its prior owner and now must survive the violent disorder of a supernatural killer count to retrieve his possession .
Described as an"ambient slasher,“the motion-picture show follows undead grampus Johnny in the third person for most of its runtime , allowing hearing to stalk his unsuspecting victims alongside him . It can be a dull exercise , particularly as you look for the slaying to rage up , butIn A Violent Natureuses its pattern to ratchet down up the tension so that you ’re looking for Johnny in the corner of every frame by the end of the picture .
In A Violent Naturebegins with Johnny quite literally rising from the dead , wake by three unsuspicious campers who have taken a locket from his resting plaza , a collapsed fire tower somewhere deeply in the Wood . These campers — the untested , mute , sport - know case of many a slasher — are n’t authoritative here , though . It ’s Johnny we follow through the woods as he searches for his steal locket . Through snippets of dialogue overhear by Johnny , In A Violent Naturefleshes out its mythology , but it feels different as we keep things through his middle .
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In A Violent Nature Asks Its Audience To Sit With Evil
When not filmed in the third person , In A Violent Natureoften uses static wide guessing — of a lake , a solo cliffside yoga session , the back porch of a indistinctly light up cabin — to build apprehension that often explodes into violence . By make the audience see the case through Johnny ’s eye , we feel unmoored from any foundation power that slasher so often give us . There are no characters to grow attached to , no environment to become intimate with . Jonny is constantly on the hunt , looking for the locket and murdering anyone in his way .
The third - person and wide - slant shot create a feeling of detachment from the violence , serving as an bill of indictment of the genre and as a elbow room for us to process the horrors we are witness .
model with an evil like this create for an uncomfortable experience , especially as Nash ’s television camera pans over gorgeous landscape . At one point , Johnny walks into a blaze out red sunset , and it ’s a gorgeous shot , but the blood - red sky merely serves as a reminder of the hellfire he ’s about to rain down on more unsuspecting dupe . The third - person and wide - slant shot make a feeling of disengagement from the violence , serve as an bill of indictment of the music genre and as a way to process the horrors we are witness .
Ry Barrett in In A Violent Nature.
In A Violent Nature Holds Nothing Back
In A Violent Natureis Nash ’s first directorial feature , but he ’s worked on numerous short both as director and in particular outcome , a skill that shines in the picture show . The kills are intuitive and , in a few cases , Nash eschews the picture ’s established style for an up - close - and - personal look at Johnny ’s victims . One particular spine - crunching kill is so gut - churning that it may have even the most veteran gore - lovers cringing and turning aside from the screen .
Somehow , though , it ’s difficult to reckon away . In A Violent Nature ’s experiment is alluring , lulling you into a trance as you follow Johnny ’s methodical pursuit to regain his locket . It often falls into the trappings of the genre , but this is all by design . Nash uses these figure of speech to show how different they calculate from a fresh perspective , a deconstructionism of a music genre that has struggle to come up with Modern formulas .
In A Violent Naturedoesn’t re - invent the wheel , and its experimentation does n’t always work . Oftentimes , I felt myself longing for something to connect to beyond the supernatural killer that rule the frame of reference , but even this feels mean to rattle , the vacuum of evil boldly staring back from the filmdom .
In A Violent Nature premiered in the Midnight section at the 2024 Sundance Film Festival . It will be released by Shudder .
