Star Trek Is A "Historical Show," Not Fantasy Says Picard Production Designer

Star Trek: Picard

Summary

Star Trek : Picardproduction designer Dave Blass reach to make certain the intent ofPicardbuilt upon theStar Trekhistory that come up before it . Picardseason 3 reunify the gang fromStar Trek : The Next Generation , tend into nostalgia more than the first two season had . Star Trek : Picardseason 3 built upon the established backstories and camaraderie of the USS Enterprise - D ’s crew , while also lend entrancing new element to their stories . With the rebuilt Enterprise - D , Admiral Jean - Luc Picard ( Patrick Stewart ) and his oldest friends saved the Galax urceolata yet again and turn out why they are one ofStar Trek ’s most dear casts .

There were nod toStar Trek : The Next Generationscattered throughout all three season ofStar Trek : Picard . While many fans cite to these little cry - outs asStar TrekEaster eggs , yield graphic designer Dave Blass enjoin these references to pastTrekare much more intentional than that . In an consultation withWarp Factor Trek , Blass utter about his position on Easter eggs and want to avoid simple buff service . Read his quotation mark below :

I call back that [ Easter testis ] becomes almost a negative condition because it becomes that affair of , like , ‘ Oh , we ’re just doing it to get fan service . ’ And for me , it ’s in reality about adding as much history into the show as potential , because Star Trek is n’t a fantasy show ; it ’s a historical show that has sixty years of account . So , it ’s about earthly concern - building and putting element of the past tense of Star Trek into that .

Dave Blass has been a fan ofStar Treksince he begin watching rerun ofStar Trek : The Original Seriesas a child .

Screen Rant interviews Star Trek : Picard production interior decorator Dave Blass about the Enterprise - calciferol set , his season 3 memories , and Star Trek : Legacy .

Why Designing Star Trek Is Different From Other TV Shows

Boldly going where few production designers have gone before.

TheStar Trekfranchise timelinehas the interesting differentiation of having a farsighted history but being pose in the future . So , while the production conception should work up on what come before , it also has to look futuristic and incorporate modernistic technology . Production designers puzzle out on historical period dramas , for example , already have a blueprint for the look they should go for , but scientific discipline fable show likeStar Trekdo not have that luxury . In the above - observe consultation , Dave Blass talks about the thought process that go into design a show like Star Trek :

The challenge with Star Trek is you ’re design for the hereafter and you have to drop more time envisioning what thing could be , so everything becomes more of a thinking process . It ’s about consider what the methodological analysis is of doing whatever you ’re going to do in the future . It ’s like , you do n’t put a pencil on the set of Star Trek . It has to be something , so everything has to be created , everything has to have thought go into it , so that is always a challenge . Because if you ’re doing a diachronic show , you may have to cook up things to make them historically accurate , but you fuck what you ’re going for . Whereas in Star Trek , it ’s more envisioning what it might look like and even if I guess something does n’t have to function , it needs to look like you have put some thought into it about how it would function if it did .

From replicators to transporters to phasers , the engineering ofStar Trekcontinues to advance as the appearance progress , and the production conception stave have to keep up with how the view of the far future change over prison term . What looked futuristic in the 1960s or the nineties does not have the same effect today . Picardseason 3 , in special , does a terrific line of work of bringing the look ofStar Trekinto the modern erawithout compromise theTrek - cape of it all . Star Trek : Picardseason 3still feel likeStar Trek , but comprise the forward-looking technology and special effects that today ’s Hollywood has to extend .