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Summary
Greg Capullo ’s fourth dimension working onBatmanmade him a juggernaut creative person in the comic book manufacture ; below are his best blanket for Good Book featuring the Dark Knight . From all - out brawls , to intimate graphic symbol portraits , and everything in - between , Capullo ’s covers display his versatile skill , as well as a willingness to try out , to push the approximation of what a Batman comedian could bet like , leading to his suffer influence .
Capullo ’s graphics played a significant persona in specify the Caped Crusader for DC ’s New 52 , the 2011 publication opening which began with the fellowship ’s persistence being bring up , and its entire roster of title being relaunched . The majority of the cover featured on this list are from Capullo and writer Scott Snyder ’s Modern 52 ravel onBatman , though several are from other miniseries and case funnies by the originative team of Snyder and Capullo . Every cover on this tilt also features the oeuvre of superstar colorist FCO Plascencia , and several also have invaluable work from inkers Danny Miki or Jonathan Glapion .
DC ’s Knight Terrors issue gave fans some of the scariest artwork of the preceding year , as hoagy and villains alike navigated their bad incubus .
12A Gorgeous Gotham Like Readers Have Never Been Exposed To Before
Batman (Vol. 2) #23 – Cover by Greg Capullo, Danny Miki and FCO Plascencia
11A Brutally Realistic Fight In Stark Detail
Batman (Vol. 2) #3 – Cover by Greg Capullo and FCO Plascencia
Part of what makes Capullo ’s piece of work onBatmanso incredible is how he renders figures . The character pose onBatman # 3’scover shows off Capullo ’s mastery of muscle system and bodies , as Batmanand a Court of Owls talonhave a gritty , realistic , and bally battle . This cover also serve well as a deterrent example in simpleness ; the stark white background entail that there ’s nothing else on the blanket for a viewer to rivet on but the figures . The blending of the characters is also immaculate , with the red coloring implying stemma , first and first of all , but also an unseen , and ominious , light reference .
10The Perfect Introduction To A Brand-new Batman
Batman (Vol. 2) #41 – Cover by Greg Capullo, Danny Miki and FCO Plascencia
Capullo ’s entry to the bunny - eared Batman exoskeleton assume by theNew 52Jim Gordon is right away iconic . In this cover , Capullo give viewers a full back - opinion of this new design;thanks to Gordon ’s prominent torpedo , it also lets DC rooter know this is n’t their familiar Batman . The exoskeleton , and the weapon , are perfect sci - fi design , bulky in slipway reminiscent of mush sci - fi blasters , as well as ofFrank Miller ’s Batman illustrations , with its blockish figure occupy most of the inning . Another tiny , fulfill point is how the exoskeleton ’s ‘ bunny auricle ’ fit the bottom of the series ’ jagged logo between them .
9Purposefully Posed Sci-fi Action In Pink
Batman (Vol. 2) #45 – Cover by Greg Capullo, Danny Miki and FCO Plascencia
Capullo and Plascensia are n’t afraid to habituate bright , bold colors , whichotherBatmanartists broadly shy aside from . No Capullo cover demonstrate this skilful thanBatman#45 , with itshot pink screen background , which also help to cement the sci - fi trapping ofJim Gordan as Batman . The " hole in a wall " border of the covering fire perfectly frame its figures , subtly drawing the viewer ’s eye to the shopping center of the cover , as well as produce an interesting interplay with the series ’ logo , which is kick in a subtle 3D upshot , as this metre , Gordon ’s bunny girl ears this prison term go over top of it .
8Batman And Joker’s Relationship, Depicted In Dance
Batman (Vol. 2) #17 – Cover by Greg Capullo and FCO Plascencia
Batman vol 2#17 ’s cover cleverly portray the sempiternal battle between Batman and the Joker as a dance , one where Batman , represented by his bloodied cape and cowling , is an unwilling player , dancing to the Joker ’s line . The manipulation of scratch bull’s eye as rainfall gives the concealment an almost physical grain , which is redolent of old covers likeMarc Silvestri ’s classicUncanny X - MenWolverine portraits . The contraband background and limelight on the characters also emphasizes their isolation , play into the proceeds ’s theme of the Joker believe that Batman wants Joker to himself ; that only the two of them alone topic .
7Both Sides Of The Joker, Comedy And Tragedy
Batman (Vol. 2) #37 – Cover by Greg Capullo, Danny Miki and FCO Plascencia
OnBatman # 37’scover , the Joker ’s two face reflect the Greco-Roman theater comed and cataclysm masque , offeringa perfect representation of the Joker ’s core duality . He is , above all , the distressing clown ; the tragicomic figure who commit on an act of gleeful passion , but is himselfsecretly miserable within . In linguistic context , it also represents the two decided looks and persona that the Joker assume over the course of Snyder and Capullo’sBatmanrun – the faceless Joker ofDeath of the Family , and the refaced Joker of this electric arc , Endgame , fromBatman ( Vol . 2)#35 - 40,contrasting them in haunting fashion .
Batman is one of the most popular characters in comic book and most people retrieve of Batman as Bruce Wayne , but he ’s not the only person to be Batman .
6A Defining Image Of The Batman Who Laughs
Dark Nights: Metal #5 – Cover by Greg Capullo, Jonathon Glapion and FCO Plascencia
With hisDark Nights : Metal#5 book binding , Capullo provided one of the most striking images ofthe Batman Who Laughs . Eschewing the bombast that defines metal in favor of a character portrayal , it is the details that bear out here . Readers never see the Batman Who Laughs ’ eyes ; his face is almost wholly in silhouette , except for his direful yellowed tooth , and spiked headpiece . Teeth are often a focus of Capullo ’s villains , and monster designs , and this cover perfectly demonstrate why . The tarot card featured is ‘ La Morte ’ , death , a nod to a classic Joker move from this Jokerized Batman .
5A Villainous Color Palette Sets The Stage For The Riddler
Batman (Vol. 2) #32 – Cover by Greg Capullo, Danny Miki and FCO Plascencia
Green and purple are oft villain - coded colors in comics . Capullo and Plascencia use them as the primary color onBatman#32 ’s screen , to great effect , for their only cover featuringthe Riddler . The lack of shading on the question marking , which Batman is suspended from , caught in a web , plus the imperial background , service to make the color use on this screening soda water more . The black half of the scope alsosubtly turnsBatman : Zero Year’strade dress into a full Bat - costume , elongate the cowl at the top across half the simulacrum , as though Batman were pulling it over himself .
4A Liller Character Portrait/Logo Combo
Batman: Last Knight on Earth #2 – Cover by Greg Capullo and FCO Plascencia
The coverfor Batman : Last Knight on Earth # 2,is Capullo ’s well ever use of a plain black screen background . This allows him to indulge in his character portrait of Bane , leaning into the grey-haired - tinged pallet he loves for villains , whether Bane , Doctor Death or Barbatos . The cover is only improve by its logo , which appears to regurgitate the ignitor reckon on Scarecrow ’s back , since there ’s no light source on the covering fire itself . That same covering fire dress also limit the colouring pallette of the cover , and the fact that the series logo is set satisfying instantly gain it stand out from other covers .
3A Cover That Succeeds In Making Superman Scary
Batman (Vol. 2) #36 – Cover by Greg Capullo, Danny Miki and FCO Plascencia
There are many images of Superman where his scarlet oculus are supposed to be a threat , but the cover ofBatman#36 is an example of this being used particularly effectively . pitch-dark , clean , and redhave become a popular strip color palette , given how the red can emphasize parts of the image ; the blood , red eyes , cape , and logotype of Superman on this cover perfectly demonstrate why . Capullo ’s artistic heritage , having developed his style working on repulsion - regulate comedian , includingSpawn , is fully on display hereas Superman flashed a Jokerized rictus grin , articulate inhumaneness through his bareheaded dentition .
